The Houston Grand Opera's virtuoso but zany performance on Friday night of "The Barber of Seville" – jointly produced with ...

In rehearsal with stage director Ben Robinson for L'Italiana in Algeri at Opera in the Heights. Credit: Photo by Eiki Isomura Combine a helter skelter libretto with a classic Rossini score complete ...

Knoxville Opera’s 18th annual Rossini Festival International Street Fair is hitting the streets of Downtown Knoxville on Saturday, April 13. A “legacy event,” as described by Knoxville Mayor Madeline ...

Opera Southwest offers the New Mexico premiere of the composer's Biblical epic as its final 2025-2026 production.

Emily Trigle as Tisbe, Alissa Goretsky as Clorinda and Isabel Leonard as Angelina/Cinderella in HGO's Cinderella. Credit: Photo by Lynn Lane In the world of opera (as in any art), each composer has a ...

Pacific Opera Project returns to The Ford for a one-night-only performance of The Barber of Seville on Friday, August 25, 2023 at 8:00 p.m. In a modern-day, accessible spin on Rossini's beloved ...

On Oct. 25, 2024, Houston Grand Opera will open Cinderella, Rossini’s delightful comedy, in a popular production from director Joan Font, founder of Barcelona-based street-theater troupe Comediants.

Add Yahoo as a preferred source to see more of our stories on Google. KNOXVILLE, Tenn. (WATE) — The Rossini Festival returns to Downtown Knoxville this weekend, but for Knoxville Opera, it’s about ...

On Semiramide at the Rossini Opera Festival in Pesaro, Italy. At the Rossini Opera Festival in Pesaro—the composer’s birthplace on the Adriatic—it is always a treat when a major work of the composer’s ...

Much ado about nothing? Or everything? With light comedy, lack of tragedy, minimal plot, and a succession of glorious arias, the Rossini opera Il viaggio a Reims was definitely “ado” — in overdrive — ...

Gioachino Rossini (1792-1868), the ridiculously successful composer who wrote 39 operas including of “The Barber of Seville,” retired after his final opera, “William Tell,” in 1829 — at the age of 37.

“Cinderella” is a barnstormer of a title — enough to make a dent in the age of the average operagoer — but there is no fairy godmother, glass slipper, pumpkin, nor midnight rush for home in Rossini’s ...