There has been a tendency in the belated rediscovery of Camille Claudel for the artist’s biography to overshadow the art. True indeed, she suffered: first from 19th-century sexism; second, at the ...
A notable similarity marks a subcategory of once woefully under-recognized female artists of the past. Their resolute endurance of trauma is proposed as a primary reason to reassess their work today.
Add Yahoo as a preferred source to see more of our stories on Google. Known in France as a giant of modernist sculpture, to the rest of the world Camille Claudel is mainly remembered as Auguste ...
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What are we to make of the sculptor Camille Claudel (1864–1943), Rodin’s student, assistant, and mistress, who spent the last half of her life in an insane asylum, dying a virtual unknown? To be sure, ...
Unlock access to every one of the hundreds of articles published daily on BroadwayWorld by logging in with one click. Kristyn Koczur’s biographical drama about acclaimed sculptor Camille Claudel (1864 ...
The idea of severe French formalist Bruno Dumont taking on a costume biopic, and with a major star in the lead to boot, initially seemed an aberration, perhaps the auteur equivalent of Dylan going ...
Camille Claudel's The Implorer (large model), modeled about 1898–99, cast about 1905. Private Collection. Courtesy Turner Carroll Gallery, Santa Fe Credit: Image provided by Art Institute of Chicago ...
Kristyn Koczur's biographical drama about acclaimed sculptor Camille Claudel (1864 - 1943) titled OF THE DREAM THAT WAS MY LIFE... will begin performances October 21 at American Theatre of Actors. It ...
Steven Musil is a senior news editor at CNET News. He's been hooked on tech since learning BASIC in the late '70s. When not cleaning up after his daughter and son, Steven can be found pedaling around ...
The French sculptor and lover of Rodin is the subject of a major new exhibition that includes roughly 60 works. By Jordan Riefe Known in France as a giant of modernist sculpture, to the rest of the ...
A notable similarity marks a subcategory of once woefully under-recognized female artists of the past. Their resolute endurance of trauma is proposed as a primary reason to reassess their work today.