In ‘Mercy,’ Chris Pratt is on trial with an AI judge
Digest more
1hon MSN
‘The Last First: Winter K2' Review: A Mountain-Climbing Documentary With More Tragedy Than Vertigo
"The Last First" is not a story of unabashed glory like those previous climb-every-mountain documentaries. Here the glory is threaded with human folly. During the 2020-2021 attempt to climb K2, a total of five climbers died.
Tribune News Service on MSN
Movie review: 'Clika' can't find the cinematic beat
The title of Michael Greene’s coming-of-age music film “Clika” refers to the slang word for “clique” in the terminology of the corridos tumbados musical genre, or trap corridos, a distinctly American evolution of the Mexican storytelling ballads.
“The 99 Year Old Man,” which debuts Thursday in two parts on HBO and HBO Max, is a big-hearted tribute to Brooks, an indefatigable comic force who did more than most anyone to lighten the mood of the 20th century. At 99 (he’ll turn 100 in June), Brooks remains a remarkably great raconteur.
Saipan, 2025. Directed by Glenn Leyburn and Lisa Barros D’Sa. Starring Steve Coogan, Éanna Hardwicke, Jack Hickey, Harriet Cains, Alice Lowe, Jamie Beamish, Alex Murphy, and Peter McDonald.
Some movies entertain, but others stay with you long after they end. “No Other Choice” is one of those movies. It makes you ask — how far would one go to protect their family, to survive, to keep people they love safe?
Directed by Nia DaCosta, the latest entry in this horror series boasts terrific performances from Ralph Fiennes and Jack O’Connell and an appealingly off-beat energy.
Return to Silent Hill, 2026. Directed by Christophe Gans. Starring Jeremy Irvine, Hannah Emily Anderson, Evie Templeton, Pearse Egan, Eve Macklin, Robert Strange, Emily Carding, Martine Richards,
With zombie-horror flick “28 Years Later” having arrived in theaters only half a year or so ago, the makers of its sequel proceed under the belief that not only have you seen the 2025 entry but
Boilerplate as it can be, David Alvarada's documentary nevertheless offers a rousing assertion that Chicano art is as American as it gets.