The phaser is one of the most iconic sounds in all of Star Trek, but it actually originated in a totally different sci-fi ...
What began as a largely synth-driven, hybrid score for Epic Pictures’ new sci-fi film, Space/Time, took an unexpected turn ...
Composers Chuck Jonkey and Stephen James Taylor draw from their decades of experience in film scoring, ethnomusicology, and ...
The 1951 movie The Day the Earth Stood Still was amplified with the help of composer Bernard Herrmann's eerie score. Echoes of Herrmann's music were heard in countless other sci-fi flicks through the ...
Over the last 100 years, sci-fi films have reflected shifting cultural anxieties: from industrialization and nuclear war to ...