Andreas Homoki’s staging at the Teatro di San Carlo, setting aside a few inconsistencies with the libretto, does not indulge ...

Opening her LSO Artist Portrait series, Patricia Kopatchinskaja plays Béla Bartók’s Second Violin Concerto before Rattle and ...

In Myung-whun Chung’s first concert as the orchestra’s tenth Music Director, Leonidas Kavakos’ account of Tchaikovsky’s ...

A last-minute programme change doubles Batiashvili’s Tchaikovsky at the Elbphilharmonie, but repetition is transformed into ...

Good Butterflys are not that difficult to come by but great ones are very very rare. Ailyn Pérez fits the bill in this ...

In three hugely different musical voices, John Storgårds with the BBC Philharmonic Orchestra move from the intimacy of Ives ...

Ensemble 360’s opening concert of their Sheffield spring season reveals the rich variety present in three very different ...

Works by Boulanger and Shostakovich pay off handsomely before Rimsky-Korsakov’s Scheherazade, shaped with dynamic control and ...

Elisabeth Schwarz sits down with the British conductor to talk about his history of mental illness, his coming out and his ...

Mahler’s First Symphony is given a fresh take, revelling in melody, by Kazuki Yamada and the CBSO, while Dai Fujikura’s new ...

Richard Eyre’s 32-year-old production is rarely out of The Royal Opera’s repertoire for more than a few months at a time, but ...

Lute player and guitarist Élodie Brzustowski talks about the challenges of the two-metre long theorbo, rediscovering guitar ...