“L’Eclisse” (1962): When the City Speaks Louder Than the Lovers Michelangelo Antonioni’s L’Eclisse isn’t just a film—it’s a slow-motion eclipse of meaning. In a Rome buzzing with economic boom and emotional voids, Monica Vitti and Alain Delon drift through a world where architecture has more presence than people.  The final 7 minutes? No dialogue. No characters. Just haunting images of absence. It’s not an ending—it’s a disappearance.   This is cinema that dares to ask: What if love is just a

185K views · 4.1K reactions | Chissà perché si fanno tante domande Monica Vitti e Alain Delon nel film L'eclisse #monicavitti #alaindelon #leclisse #cinema #cinemaitaliano | Film & Motivazione | Facebook